She is the dark dowager creepy crawly who destroys her alive; she is ungovernable, debilitating to male mind, and a lady who challenges the patriarchal culture intensely.
The femme fatale was an incessant character in 1940s movies. Rita Hayworth as The woman from Shanghai (1948) is the most confounding illustration. She exemplifies the overpoweringly attractive, beguiling and sexually voracious femme fatale, who has been spoken to as a manifestation of male nerves about ladies. She is an animal who debilitates to maim and eat up her male casualty. This picture of a sexual, hazardous lady is the mental articulation of a man's own particular inner fears of sexuality, and his need to control and quell it.
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